- Low key lighting
- fast paced editing - quick cuts
- shadows/dark/contrast
- mirrors
- sharp objects such as weapons/knives/razor blades
- building music
- diegetic sounds - breathing/door creaking
- cinematography - angles and tightly framed
- crosscutting
- trapping environment
- filmstroke - fine & grainy
Tuesday, 19 January 2016
Codes and Conventions for Thrillers
Monday, 18 January 2016
Audience
Thrillers are divided into sub-genres. Thrillers are primarily watched by Males in the 18-25 region, who are typically students (Occupation brand E) and have the most disposable income and typically buy into franchises.
Enigma Code
Roland Barthes Enigma Code
Enigma - illusive - secret
A text portrays mystery to draw an audience in to pose questions and as such become intrigued in the piece.
For instance, a murder mystery will often not reveal the identity of the killer until the end of the story which poses the question,'who is the murderer?'
Narrative/enigma codes
Categorised as:
Enigma - illusive - secret
A text portrays mystery to draw an audience in to pose questions and as such become intrigued in the piece.
For instance, a murder mystery will often not reveal the identity of the killer until the end of the story which poses the question,'who is the murderer?'
Narrative/enigma codes
Categorised as:
- Hermeneutic Code - Voice of Truth. : Element in a story not explained and therefore exists as an enigma for the reader, raising questions
- Proairetic Code - Voice of Empirics : Tension built up leaving the audience guessing what will happen next
- Semantic Code - Voice of Person : Any element in text suggests meaning by way of connotation which the story suggests
- Symbolic Code - Voice of Symbol : Wider level of semantic code, organises semantic meanings into broader and deeper sets of meaning. New meaning arises out of opposing and conflict ideas
- Cultural Code - Voice of Knowledge : Looks at the audiences wider cultural knowledge, morality and ideology
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